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Photoshop Tutorial:
Using Adjustment
Layers and Masking |
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The
third in a series, this tutorial will teach you how to take
advantage of Adjustment Layers in recent versions of
Photoshop to enhance your photos with more precise control.
To follow along with this tutorial you will
need to download this image:
adjustment-layer.jpg
(right-click and choose: Save As)
What is an Adjustment Layer?
Just as it sounds, an Adjustment Layer will alter an aspect
of your photo on a separate layer. What this type of layer
unique is that the adjustment made via an Adjustment Layer
can be changed or masked at any time and removed with no
ill affect to the original image. Ever adjust a the
brightness or color of an image early on, then after 30 or
more alterations, want to go back and undo or tweak that
initial change? If you used an Adjustment Layer, you can
double-click it and change the setting. Without an
Adjustment Layer, you'd have to undo everything you've done
up to that point. Adjustment Layers offer more flexibility.
Adjustment layers also come paired with
Masks. A mask is an instruction in the layer that
tells the layer what parts will show through and what parts
will not (masked parts). So you can make and adjustment
layer that increases the orange saturation in an image, then
mask (hide) its effect for the portions of the image you
don't want to have increased orange saturation for.
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You can apply Adjustment Layers
from the Layers palette using the button circled
above. An Adjustment Layer will be inserted
above the currently selected layer and will
apply to all layers below it. |
Clicking the Adjustment Layers button provides
you with a list of the types of adjustment
layers you can apply. Choosing one will give you
further options for that type. |
Masking.
Masking is an essential tool for applying otherwise global
changes (levels, colors, saturation) to isolated areas of
your image. Say you want to adjust the levels of the sky in
your landscape image to darken it slightly, but you want
leave the land alone. You can mask the effect of levels on
the land in your image, so it appears untouched. It's that
simple! You can even go further brighten the land and mask
the sky, so it remains the same.
Masking is handled in most photo retouching
software (Photoshop, PaintShop Pro) the same way... using a
black and white canvas. The masking canvas matches
the size and shape of the layer it applies to. It can either
be black, white or shades of grey. You can paint these
shades on the mask any way you'd like, you just need to
understand what each shade does.
- White: Anything on the layer
this mask is attached to will show through on the
image where there is white.
- Black: Anything on the layer
this mask is attached to will not show through on
the image where there is black.
- Gray: Anything on the layer
this mask is attached to will show through as
transparent on the image depending on how dark the
gray is. The lighter the shade of gray, the more of the
attached layer will show through. The closer the gray is
to black, the less will show through.
You can fill a mask completely with one shade, or you can
use the Paintbrush, Pencil, Eraser, Fill Bucket, Gradient
or other tools to paint where you wish. When you
change the shade of the mask, the Layer it's attached to
either appears or disappears where you make the change to
the mask. So, if you wanted to darken the sky in a
landscape shot and leave the rest of the image alone, you
would apply a new layer with the levels or brightness
adjusted for the sky, and mask out the land. In the mask, the
portion of the canvas containing the sky will be white
(allowing the change to show through) and the portion
containing the land will be back (blocking the adjustment
from showing through).
Let's try it.
Open your image and make sure the layers palette is visible.
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Take a look at the image and its
inherent problems. It's well composed, but the
colors and tone are dull and the image is bland.
Not one single adjustment will solve the
problems with the water, trees and sky all at
once. So we use separate adjustments with
masking. |
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Problems:
- Too dull
- Not enough contrast
- Incorrect water color
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Let's fix the dull water
first.
Select the background Layer.
On the Layers palette, click on the Adjustment
Layer button and select Photo Filter.
Select a Cooling Filter (82)
(1) and set
the density to 32 (2).
This Applies a blue-green tint to the whole
image, matching the water to the natural color
of Green Lake. |
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This changed the whole image, and
we only want it to apply to the water.
Use the Rectangular Marquee tool
to
draw a box around the sky and trees, leaving the
water unselected
(3).
Rename the Photo Filter 1
adjustment layer (you just created) to "Water"
(4)
and click on the white mask for
that layer
(5). |
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Set your foreground color to
black
and use the Paint Bucket tool
to fill in the Marquee Selection
(6).
This will change the sky and trees back to their
original shades.
Notice how the area you
painted black shows up in the mask preview in
the Layers Palette |
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Now let's fix the sky.
First, remove the Marquee you used in the
last step by pressing
Ctrl-D
on the keyboard.
Add another Adjustment Layer. This time use
a Levels
Adjustment Layer.
While adjusting the Levels, concentrate on
the sky and ignore the changes to the trees and
water.
Drag the Black
Point slider to the right to increase the
shadows in the clouds and give the sky some
definition (7).
I used an Input Level of about 80. |

Moving the Black Point slider tot he right will
increase the shadows of an image. |

Keep your eye on
the sky and ignore the rest of the image in this
step. |
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The sky looks great, but Levels
totally screwed up the rest. So let's use the
mask to turn off the adjustment and paint it to
only where we need it. Rename the
Levels 1
adjustment layer (you just created) to "Sky" and click on the white mask for
that layer.
Press Ctrl-I to invert the Mask. Invert
will make this white mask black and the
adjustment will be hidden by the black.
Set your foreground color to
White
and use the Paint brush tool
to
paint over the sky
with the levels adjustment.
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If you make a mistake, change
your brush color to black and paint over your
mistake, it will hide it again.
You can
switch easily between the foreground and
background colors by hitting the X key on your
keyboard. |
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And finally, the trees.
The
tress just need a bit more color. So add a new
Adjustment Layer for Hue/Saturation.
Editing the Master
channel, increase the saturation to 10
(7).
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Now, at the top of this window,
change Master to Yellow to edit
the Yellow colors only and decrease the Hue
to -5. You'll notice the yellows (and
some of the greens) will become more orange. |
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The trees look better, but those
adjustments were also added to the rest of the
image too. So let's use the
mask to turn off the adjustment and paint it to
only where we need it.
Rename that new
adjustment layer (you just created) to "Trees" and click on the white mask for
that layer.
Press Ctrl-I to invert the Mask. Invert
will make this white mask black and the
adjustment will be hidden by the black.
Set your foreground color to
White
and use the Paint brush tool
to
paint over the
trees
with the levels adjustment.
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If you make a mistake, change
your brush color to black and paint over your
mistake, it will hide it again.
You can
switch easily between the foreground and
background colors by hitting the X key on your
keyboard. |

White is
painted over the trees, which applies the
Adjustment Layer just to that area. |
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Final Results
The differences are obvious. Adjustment
layers enabled us to make major changes to the tone, color
and saturation, and isolate those changes to just the spots
we needed them. The best part about the changes that we made
using adjustment layers is that they can be adjusted or
removed at any time! that's right, double click the
Adjustment Layer to change the original options, or turn it
off through the layers palette.
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Before |
After
Adjustment Layers |

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Recommended Photoshop Books |
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For more PhotoShop tutorials, visit our
Articles section.
Discuss this article and share your
questions or tips in our Community
Forum.
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© 2006 Matthew
Conheady (v1.0) |
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