The
first of a series, this guide will help the novice camera
user take better photos of not only waterfalls, but anything
in general. Future articles will concentrate on more
technical areas of waterscape photography including advanced
shooting and PhotoShop techniques.
Know your camera.
Before you set off to photograph anything, you should get to
know your camera. Read the instruction manual, learn all the
functions of your camera, and find out when and how those
functions should be used. Some cameras even come with
waterfall or landscape modes that make taking outdoor photos
easier for you. If you don't know what your camera's built
in functions are capable of, you can’t take advantage of
them.
Discover these built-in functions and try
them out. In the digital age, it'll cost you nothing to run
around your house taking pictures of random things to try
out the different features of your camera. Load up those
images on your PC and see what works best.
It's also good idea to get to know the
capacities are your camera. How long the batteries will
last. How many shots can be taken on a certain memory card.
How quickly you can turn it on and take a picture. How much
light is needed to get sharp results. General knowledge of
the performance of your camera will greatly improve your
picture taking.
If you're out in the field and have
trouble with your camera, an error message, or the camera
just isn't doing what you expected to, having some knowledge
of the display, sounds the camera makes, or its general
behavior could help you troubleshoot it and you'll be able
to continue shooting. There's nothing worse than traveling
to a site and coming home with little to nothing because of
a technical issue.
A great way to learn about the features
of your camera is to check out a professional spec sheet and
review like the ones found on
Steve's Digicams.
Know your location.
Before heading out, have at least some foreknowledge of
the site you are going to. Check street maps, so you don't
get lost along the way. Topo maps, so you have some idea of
the structure of the terrain. And most importantly, trail
maps, so when you get there, you know where to go. If you
have limited time at this site it's good to know where the
best locations are ahead of time, so you can hit them first.
A good idea is to check the Internet for
any information about the site such as wildlife to look out
for, current status of trails or access and best viewing or
photographing locations. Discussion groups,
such as the one found on this web site are a great place to
discuss a location and get critical information before you
begin your trip. An important thing to know before heading
out is whether or not the location is publicly accessible.
You could be arrested and/or fined for trespassing on
private property. NYfalls.com tries to keep up-to date
information about the accessibility of the sites listed, but
it is your responsibility to avoid trespassing and breaking
any laws on your expeditions.
Check the weather.
It's always a
good idea of check the weather ahead of time. Since the
conditions of the skies and the sunlight greatly affects the
results of your photographs, you may choose not to head out
to a site based on the weather in that area. Of course,
heavy rain and snow is always a deterrent.
Clear blue
skies and partly cloudy conditions are great for
shooting wide open areas, where lighting is even. In
gullies, bright overhead light doesn't necessarily
hit the creek bed or the waterfall. This causes
extremely bright conditions in the trees and
wherever light shows through, and dark shadows deep
in the gully where light doesn't quite reach. This
uneven light makes it very difficult to photograph.
You either have to expose for the light or the dark.
If you expose in the middle, you lose a lot of
detail.
Overcast
skies are great to photograph in. The lighting is
even and mild, and usually the temperature is more
comfortable. The downside is that if you want a
dramatic sky in your shot, you're not going to get
it during the day; sometimes sunrise and sunset
coupled overcast skies can lead to very dramatic
lighting patterns.
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Mid-day, the
uneven lighting conditions at Norton's falls causes
white highlight spots where the sun breaks through
the trees and lands on the scene. |
For the waterfall photographer, rain is
both a good and bad thing. Although photographing in the
rain runs the risk of getting both you and your equipment
soaked, rain feeds the streams and creeks and adds power to
the waterfalls. There are even some waterfalls that don't
even flow until after heavy rain (Inspiration Falls in
Letchworth State Park being one of the most notable
examples). A good idea is to prepare for the rain to stop
and to get out as soon as it does. Since following rain
there usually are overcast skies, the lighting cooperates
well. High water flow and even lighting makes for great
waterfall photo.
For safety reasons, avoid heavy rainstorms
when in deep narrow gorges. Heavy rain piling up in a narrow
channel can lead to flash flooding. A very dangerous
situation. Since you may be carrying equipment, you're not
going to be able to move as quickly as you should. So check
the weather before hand and make sure not only will it
cooperate with your photographs, but also that there's no
risk of being caught in serious conditions.
Get out early (or late).
I'm not much of an early bird and I miss out on a lot of
great photographs because of it.
A great way to avoid direct sun and uneven
lighting is to get the jump on the sun and get out to site
early. There are many benefits to getting to a site early.
For one, you beat the crowds and can get photos of very
popular locations (Taughannock, for example) without all the
tourists in the way. You also get more even and mild
lighting. Without the sun directly above, there is little
glare and little to no sunspots shining through the tree
canopies, creating distracting white highlights in your
photographs.
The same is a true for later in the day,
when the sun is getting close to setting. My favorite time
to photograph is “golden hour.” That one fraction of the day
where the sun is setting in the light turns mild and orange.
It creates mild contrast, even lighting, and excellent
golden colors. The downside is that despite its name, it
barely lasts an hour, and you have to work fast.
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Rochester's High
Falls photographed at "golden hour." |
So the general rule of thumb is that
unless you have overcast skies, excellent lighting
conditions can be had both in the early morning and right at
sunset. It also just so happens that many of the more
popular destinations are less crowded during the more
optimal photographing conditions.
Tripod.
The most important advice I can give is to buy and use a
tripod. A tripod is a piece of equipment that you attach a
camera to that will keep it stable, allowing you to take
sharp, well-composed images.
When you take a hand-held shot, no matter
how still you think you are, you shake, and your resulting
photo blurs slightly. When using your camera zoom that shake
magnifies and cameras with very long zooms and no image
stabilization can yield unsharp and soft results. By
connecting your camera to a tripod, you can virtually
eliminate shake. Tripods also allow you to level and pan
your camera with ease. You also gain the ability to take a
multiple identical shots and shots with long exposures. You
can use a long exposure to create the blurred, silky
appearance of water you see on many of the photos on this
site.
Nowadays, you can get very light weight,
inexpensive tripods with carrying cases that can attach to
your backpack or strap to your shoulder. Even a cheap tripod
will make an improvement over a hand-held shot. If you can't
lug around a tripod, try a monopod (which is one leg instead
of three). They even make walking sticks that double up as
monopods- perfect for hiking.
I recommend that if you'll be hiking with
your tripod, choose aluminum or graphite for both high
strength and low weight. You also want to look for a quick
release camera feature so you can quickly take off your
camera and use of handheld as needed. Also test how easy it
is to set up and collapse the tripod. A tripod that you
can't easily set up or quickly pack up can be a real pain in
the ass when stopping to take photos frequently. A sturdy
carrying case is also recommended.
Bracket your shots.
Many cameras come with a feature
called “bracketing.” Bracketing means your camera will take
a series of shots, each of different exposures, from one
press of the shutter. You can set the difference between
each exposure from 0.3 to 1 stop, and also set the number of
exposures to be taken in one shutter press. What this allows
you to do is for each set of photos you take you have the
chance to go back and pick the best exposure out of the
bracketed set. Since cameras rarely get it right the first
time you've created an opportunity to go back and pick the
best in the series. If you're using a tripod and our little
bit more advanced at Photoshop, you can even combine
different exposures to get better results. Check your manual
to see if your camera supports bracketing and if you have
enough memory on your memory card to start taking advantage
of it. I highly recommend using it. The best settings to use
are +/- 0.3 for 3 shots (or similar).
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A series of
bracketed shots of Taughannock Falls.
Upon closer
inspection I chose to keep the middle shot
which has a more balanced exposure. |
Experiment.
As I stated before, you should you experiment with all of
your camera's various settings in order to get to know your
camera and what it can do. You should also get in the field
and experiment with different ways of taking photographs of
waterfalls. Don't just take the usual shot or “postcard
shot.” Everyone who's been there, has already taken the same
shot. Be different, think different and shoot different.
Don't just fill your frame with the
subject. Try to include foreground and background elements;
boulders or the stream bed in front of the falls, trees
behind the falls. Also take close-ups of sections of the
falls, not just the entire thing. Include people, which
helps emphasize scale and bring realism to the photo.
Waterfalls can also make a great backdrop to a portrait.
Include obscure angles. If safety allows
try getting to different locations, rather than the typical
lookouts. You may also be able to frame your subject with
foreground elements. An outcropping in the trees with a
clear view of the falls makes a great natural frame.
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Two examples of
different ways to shoot waterfalls. On the left,
Chittenango falls is shot from above, showing the
crest of the falls and debris below. On the right
the falls is shot from the foliage as a natural
frame. |
Try the different built-in settings on
your camera to see which works better or what creates
interesting effects. There are no set rules on how you
should take a waterfall photograph. Many of the best
photographs out there today come from experimentation. And
from experimentation, you get a better understanding of your
equipment and capabilities as a photographer. Read the next article in the series:
An Intermediate
Guide: Photographic Filters
Discuss this article and share your tips in our Community
Forum.
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